Happy Tango

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If you’ve found Sallycat’s Adventures you might be thinking of travelling to Buenos Aires, perhaps for the first time, to dance Argentine tango. That’s exactly what I did almost five years ago. You can read the first ever post I wrote on this blog where I revealed my original plan, here.

When I arrived in Argentina, I didn’t have friends here, speak Spanish or dance terribly well… actually I danced terribly, I was almost a complete beginner. It took me months to gather my confidence, get to grips with the ‘cabeceo’ (eye-contact contract to dance), work out which milongas I liked. You might only have a couple of weeks. That’s why I wrote Happy Tango: Sallycat’s Guide to Dancing in Buenos Aires. Its mission, to help you find your dancing feet as fast as possible in what might seem a very foreign tango culture, especially in the most traditional tango venues.

Happy Tango was published in paperback in June 2010 and is available worldwide via Amazon and other major online retailers. It has received nineteen 5* reviews on Amazon.co.uk and nine on Amazon.com. It has been given a great review in the UK Dance Today Magazine. It has been recommended wholeheartedly in the new 2011 edition of the Lonely Planet Buenos Aires City Guide. To keep readers up to date about changes in Buenos Aires that affect the book’s content, there is an Updates Blog and a Facebook Page. However, I did write Happy Tango to be useful even in the face of inevitable changes on the ground; much of the book delivers strategic and cultural advice which remains as current as the day I wrote it. An ebook version of the book is planned.

Happy Tango has now been tried and tested by hundreds of Argentine tango dancers from all over the world, and it has proved itself to be an ultra-useful practical guidebook. It’s also written in a chatty, accessible style which allow readers to feel that they have a happy, generous-hearted and experienced friend alongside them as they set out on their tango adventures in Buenos Aires. Even if you’re not a tango dancer yet, but feel drawn to knowing a little more about the sensual dance that offers a closeness in its embrace that beguiles and bewitches men and women alike, Happy Tango would be a great starting point and might even have you longing to come to Buenos Aires yourself.

Hear me interviewed by John McCarthy about coming to Buenos Aires to dance the Argentine Tango on Radio 4’s Excess Baggage programme, the programme was broadcast live on Saturday 29th October 2011; the tango item follows an interview with transoceanic solo-rower Roz Savage; listen here.

Treat yourself to an entertaining and super-useful read, or treat a friend.
Buy Happy Tango today!

Please do buy before travelling as the book is not widely available in Buenos Aires.
Click a link to buy Happy Tango from:

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Happy Tango: Sallycat’s Guide to Dancing in Buenos Aires
Don’t leave for Buenos Aires without it!

I no longer write regularly on this blog. Comments are therefore closed.
Thank you to all my readers for your continued support.

Listen to your soul, seek joy, live your dreams, and be well.
Sallycat

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Photograph courtesy of Alan Marks, UK

Absolutely the most intriguing part of learning to be the tango boy has been finding out how it feels to hold a woman in my arms for three minutes. Not just one woman, but many women. Every one of them unique in physique, unique in technique, and most of all, unique in energy.

I’ve written quite a bit about energy in the past, for example here, and indeed one of my 11 Sallycat’s Rules for Happy Tango in Buenos Aires (in my book Happy Tango) is Rule 4: Exude magnetic energy.

Perhaps it’s part of living a path of the heart, or a result of listening to my soul, or just a consequence of getting older, but with every day that I am alive I become more aware of the energy that I send out into the world and of the energy of every other person I come into contact with; sometimes I think I can even see it (sometimes faded and empty, and sometimes pulsing with life). Lately I’ve begun painting portraits and I feel that the result on the page is a pure combination of my energy and the energy of the subject combining and being revealed by my paint stokes over a period of thirty minutes or however long I allow for the paint to speak. I think it is the same for every conversation we have, every act of love we make, every tango we dance; perhaps it’s a combination of different energies to make a moment, and nothing else at all.

In 2011, after four and a half years of tango, I dance purely for the bliss, or whatever you want to call it. I long to rediscover it with men I know already, and I seek it with strangers who will create it with me for the first time. It leaves me dizzy. It leaves me with questions. It leaves music singing in my ears. It leaves my heart racing. It leaves me out of breath. It leaves me sitting out the next tanda so as to savour the rush and welcome the cool. It leaves me wanting the next opportunity to feel it all over again. It leaves a scar of desire and mystery on my soul, that can only be soothed by more of the same. And it leaves my own energy more complex, more vibrant, more magical; I think that the dancers who are meant for me find me, in part, by sensing that my energy is a match for theirs. And they are able to, when I choose to reveal and release who I really am, because, of course, it is always within my power to hide.

When I dance the tango boy (and I say ‘dance’ in the softest of ways, because I really mean when I am exploring what I can do in a practica or when I am working with a British woman to help her to focus a more confident energy into her embrace — it will probably take me years to actually ‘dance’ the boy), I have been stunned to find out very quickly who I have in my arms, sometimes even as she walks towards me: grounded and calm or nervous and flighty; present or scattered; staying with me or backing off; open (risking vulnerability) or defensive (sometimes decorated with chatter or laughter or apologies…). I have been amazed by how different each woman feels in the embrace and sometimes, within just a few seconds I feel that I know more about her than perhaps she even knows herself. Is that how men feel when they hold me? I hope so.

Some tango dancers say that for them, the music is everything, that it resonates with their every cell and creates the dance; I think that when both partners match each other in their depth of connection to a particular piece of tango music, then the possible level of connection with each other deepens too, but only when the personal energy of each partner allows it to be so.

Others seek perfection in their technique, because they believe it enables more fluent interpretation of the music they love and a physical ease that allows for deeper connection with their partner; I think that given a certain necessary level of technique, it is finding, listening to and understanding the body of their partner that can result in the richest possible tango connections; while ‘perfect technique’ (by whatever definition, as there will be many differences of opinion!) on both sides may help, it is no guarantee of a great connection. And what an audience sees on the outside may bear little resemblance to what is felt on the inside by the two dancers. Great technique can make smooth and heavenly tango, I have no doubt of it, but if either partner blocks (consciously or subconsciously) the energy flowing towards connection, then I fear the dance may have the look of a heart but will really only be the shell of one.

Saturday night, at Los Consagrados I had mixed tango experiences, it wasn’t my happiest evening on the dance floor. Why? My body was tired after dancing four days out of six. A few of my favourite dancers were missing and another left early, and though he danced one tanda with me, I felt his energy unusually distracted (as I’ve seen him at four milongas this week, perhaps he was tired too); I allowed myself to get excited by chat with a girlfriend I haven’t seen for a while and made a couple of less-brilliant partner choices because I lost my focus to enthusiasm: one man drove me with his arms and another was more interested in trying to hook my leg around his than anything else (I didn’t like his energy and so stiffened my muscles so as not to obey, which either made him think I couldn’t do what he wanted or know that I didn’t want to… at least he didn’t hiss Hook in my ear, but his energy shouted it, just the same). When I entered the milonga my own energy was sky high, up for it, excited, looking forward to moments of bliss, but when they didn’t come, it dipped fast because I was tired, and I realised the error of my ways; I’d forgotten to stick to my own damn rules.

In Happy Tango I share my own 11 Rules for Happy Tango in Buenos Aires. Here are three of them. Rule 1: Only accept or invite a person you have observed dancing (this rule I do break often, because as I say above, you can’t always tell, but you can tell things like ‘driving arms’ or ‘bouncing’ or total lack of care, and so it can pay to be vigilant and make good judgements rather than totally random choices). Rule 4: Exude magnetic energy. Rule 7: Leave your expectations behind. These are the three that slipped my mind on Saturday.

These days I spring back fast from tango disappointments. A thirty minute wait, in the sudden and unexpected chill of Buenos Aires autumn, for a bus that never came, left me alert. I sheltered in the safety of the doorway of Centro Region Leonesa. I heard English on the lips of people discussing which way to turn out onto the street. I couldn’t help but speak to them, Just walk left to the corner and taxis will be heading into town. And the man replied, We’re going to La Nacional, why don’t you come with us? I declined the milonga, but shared the taxi…  I thought I’d get out and take a bus further on. A few streets later we discovered (when I gave a few personal details in answer to his question about what I was doing in Buenos Aires) that the guy reads this blog. He said a lovely thing about it; I was quite moved that he seemed delighted to meet me. We shook hands with big smiles. They went on their way to dance, and I celebrated his comments by treating myself to the rest of the taxi trip, chatted with the driver all the way home on the subject of Argentine men and their love of women, went to sleep thinking of the generous-hearted energy in Eugene that made him offer me a ride, and the open-hearted energy in me that allowed me to accept, and the joyful moment of recognition that followed.

As it is in tango, it is in life. Confidence. Open hearts. Generous energy that reaches out. Bliss always a possibility. If I want it.

OK, that said then, I’m ready for more; day off yesterday to refresh my enthusiastic zing. Today, La Nacional, I am there.

Meanwhile, my question for you is this, How much attention do you pay to your partner’s energy when you meet them on the dance floor, and how does their energy affect the way you dance? In the interests of my ongoing fascination with connection in the social-tango embrace, do open your tango heart and share.

Interested in discovering more joy?

On 1.1.11 I founded the Happy Hearts Quest on Facebook. With daily inspirations and weekly practical tasks, the Happy Hearts Quest (HHQ) is a Quest for Joy, and you are welcome to join in. You don’t have to be a member of Facebook to access the HHQ; you can find the page at facebook.com/happyheartsquest and you can find the Task Notes (Tasks 1 to 8 have been published so far) by clicking the Notes label either on the left of the page or at the top of the page, according to the way the page is presented to you by Facebook.

You can read how the HHQ came to be, on this blog, here. 72 hearts have joined so far. Go on. Encourage your he(art). Take part!

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Who will be first to tell me that they have received their copy of Happy Tango by post from an online retailer?

And will it be delivered by The Book Depository (who offer free shipping to many countries — but alas it seems, not yet Argentina — and show the book as ‘usually dispatched within 48 hours’), or by amazon.co.uk (who say the book will be dispatched in 10-13 days), or by amazon.com(who list the book as ‘in stock’)? Exciting times in the life of Happy Tango, no?

I’m ruling my family out of the race. We’ve had two copies delivered already — the proof copy number one and the proof copy number two — and as I’ve now approved the final proof and the book is at last available to print for real, I’ve today ordered 120 copies and I should get those next week. I can make a bit more cash selling hand to hand, of course, which is fab for me because, in the end, the book has probably cost me at least a couple of grand (British) to date, along with knocking on for a couple of years of work time. But, I’ll be delighted to sell copies online via the big retailers, as that way I can get the book all over the world and into the hands of as many tango dancers as possible. Course, I’d love to be able to travel to each of you with a book in my own hand, but for now, alas, it’s probably out of the question.

The first people to buy direct from me will probably be a few of the lovely dancers from the weekly summer practica at Shrewsbury Tango. This Thursday I was lucky enough to have the chance to lead an hour long session with them on the subject of how we might be able to learn to deepen our connection in the embrace when dancing tango socially… oh gosh, it was sooo fab — thank you, you open-minded students, you were all so brilliantly receptive and willing to try out my ideas. And, you have left me with so much to think about: watching you breathing together, in embraces closer than, perhaps, some of you had ever tried before, to the exquisite sounds of Miguel Caló, almost moved me to tears. And, when we spoke together at the end of the class on the subject of just what an amazing privilege it is to hold another tango dancer in our arms… well, the understanding in the room was almost tangible enough to be touched. It was the strangest feeling to hear people applauding me at the end of the session, and as we sat chatting in the pub afterwards, it slowly began to sink in that I had just completed the first step (and passed the first test, in terms of how successful the session had been) along the path of one of my dreams — to do my bit to enable more British dancers to freely and easily and naturally give and receive the gift when dancing Argentine tango.

To be perfectly honest, I have never really wanted to teach tango. And, in the conventional sense of the word, I still don’t. But, I think you already know, I am passionate about discovering whether connection in tango can be encouraged and better understood earlier in the process of learning to dance tango… and on Thursday’s evidence, I think maybe it can be, and maybe it can be by me. I had hoped so, but now I am a little closer to knowing so. Dave and Alison, at Shrewsbury Tango, thank you for inviting me into your tango community and giving me the chance to share some of my ideas with you all. Me and C. plan to be there next week, if life events allow, to enjoy Sharon’s super teaching and your great selection of traditional tango music, and I’ll have copies of Happy Tango in hand… people, if you are going to be there and would like a copy, please bring £14.99 (I’ll have pennies to give in change!) and of course, if you would like, I’d be delighted to write a personal message in the book for you.

On the online front, I can’t yet be too sure when people’s orders for Happy Tango will start being fulfilled. In theory, it’s available to print as orders come in (the book is being produced via a print-on-demand system), and the fact that online retailers are beginning to list the book as ‘in stock’ means that info is starting to filter through from my printer/distributor. This is good news. I’ll be keeping an alert eye open of course and will give the latest information as I get it, here on Happy Tango’s website.

Meanwhile in warm and pleasant Inglaterra, Me and C. are going to be staying with my folks for a while. For reasons I don’t really want to go into right now, they need us this summer in ways we could never have predicted. It’s perfect timing that my most intensive work on Happy Tango is over, so that I can relax a bit and concentrate on being fully present with my family. Or at least I will be able to once I get word from you that the book is in your hands (and that one or two of you like it!).

So friends, from wherever you are in the world, to Shopshire, England, far far away, please do take a minute to tell me when…

If you haven’t ordered Happy Tango yet, and you would like to… here are the links:

Happy Tango from The Book Depository (who offer free shipping to many countries)

Happy Tango from amazon.co.uk

Happy Tango from amazon.com

Thank you!

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I’d hoped to have a box of Happy Tango books to sell to a few tango dancers at the fun-and-fabulous TangoUK Tango Tangk, organised and hosted by Steve and Debbie Morrall, at Bramshaw, on the weekend of the 26th June – last weekend. Steve has read Happy Tango and given me a great endorsement for the book, which you will see on the back of the book cover and on the website here, and so it would have been very fitting to have been in a position to hand him his very own real copy, in person, wouldn’t it?

Two weeks ago, I knew it wasn’t going to happen.  The Universe didn’t want to play ball - and we are even talking stormy weather in Argentina playing its very own dramatic part. Sometimes you just have to accept that a grand plan ain’t gonna come together in your time frame (as you know, I’ve said it before a million times). But that isn’t to say you give up entirely — well, at least, you don’t if you are Sallycat. I adjusted my goal — one copy, the proof copy of Happy Tango, out of my dreams and into by hands by Saturday 26th

Remember folks, I’m publishing this book myself. In the effort to try and make that approach work for me, I’ve had to get my head around some fairly techie stuff; I’ll be honest, it’s been a little nerve-wracking in these ultimate stages. Friday the 18th saw me upload the files to the printing company from my base in Shropshire. Monday the 21st saw Me and C. on a train to Winchester, with no word yet as to whether the file had been accepted. Tuesday, we were in the green of the southern-England countryside, and after tea with my past neighbours in the gorgeous village of Itchen Abbas (where I lived one of my nine Sallycat lives), I got back to my lodgings and to the thumbs up message for the file and thus, the green light that the proof copy of Happy Tango was to be born. Wednesday, I received notice that the book had been printed. Thursday, it was posted to Pirotta Press Ltd. Friday, my most valient assistants Mr and Mrs T. (my beloved parents who remain my constant inspiration) took delivery and made the dash to the Post Office to request a next day postal service to deepest greenest Hampshire.

By Saturday morning I was staying with some much-loved tango buddies (who first welcomed me into their lives back in the days when I was taking my beginner, backwards steps in high heels) and was in my PJs when the postman arrived. He found himself surrounded on the doorstep. It’s my friend’s first ever book! I overheard as I hovered in the kitchen; I was using the excuse of the PJs, but truly I was nervous. It’s one thing to see covers and interior layouts on screens and printed by humble inkjets on A4 sheets; it’s another to see your wildest imaginings turned into a 6 by 9 inch paperback with a glossy cover. I found myself holding two years of my working life (and actually, the last fours years of my clock life), in a small cardboard-wrapped package, in my hands. In the few moments when I saw the book for the first time, the rush of relief was strong enough to propel me straight into the arms of my friends and Carlos, all at once I think.  There were some tears of joy. It was cool.

It wasn’t that easy for me to look inside the book. On Saturday I only flicked through it and spent the rest of the day thrusting it under the noses of everyone I met (er sorry people, but I am sure you understand!), and in the evening I was thrilled to spontaneously share my delight with a few tango mates who knew me back at the very beginning of my tango journey, when I truly was a ‘leaf caught in the wind’ (as someone said to me this weekend, very accurately) and had no idea that I would even go to Buenos Aires, never mind write a book with a mission to help other people do it too. I did show the book off a little at the Tango Tangk milonga — even though doing so meant that there just wasn’t time to dance with everyone, alas. On Sunday, I made myself open it up and read the whole thing again… it needed some tweaks, so the file is now back with the printer and I await what surely must be, the final proof copy, which I intend to sign off prontísimo.

Yesterday in some kind of miracle moment (only looked the once to check the page count had been updated, I promise), Happy Tango got up to an amazon.co.uk Sales Rank of above 25000 in Books, and reached #6 in the category Dance, appearing on the front page there. I know that these are just figures, and they sure do go up and down like yo-yos every day, but you know what, I don’t really care. You have to celebrate the joys. And, a few people must be pre-ordering, which is completely wonderful. What I do care about, is getting the book to those people as fast as I possibly can. It’s true that Happy Tango is going to be a little later than my original target date. I’m sorry about that, but honestly, I don’t think it will be very late. I can say that now, because I have indeed seen the proof…

And here — my friends, at long last — it is.

You’ve gotta admit, that after all the talk since the day I first wrote this post in 2008, a photo of the first ever copy of the book actually being read, is a bit of a result! No?

Meanwhile, on the subject of great and mighty scorelines, to all you lovers of Argentine tango out there, on Saturday night you might have to forget tango shoes and think golden boots instead. What can I say but, Go number 11! Go Tevez! Go Messi! Go Maradona! Go Argentina!!!

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Two marvellous reasons to celebrate, from Sallycat.

People, dear readers, Sallycat supporters across the globe… I can’t quite believe it, but Happy Tango has arrived on Amazon! It seems (although I haven’t actually tried it, I confess) that it can be pre-ordered on amazon.co.ukand that you can register your interest in it on amazon.com… click on those links and you will see exactly what I mean.

See what I mean?

Can you imagine the flutter-of-butterflies feeling as Barbie danced in my tummy when I discovered this little fact, only hours ago? Thing was, a super British tango dancer who originally test-read the book for me back in January, wrote to tell me that he had registered for updates on the book’s publication date, on Amazon. On Amazon? thought I. Naturally, I checked it out pretty pronto, and blimey, there it was. Happy Tango real as real, on the world’s most famous and far-reaching online bookstore! It seems that when you apply for an ISBN number in the UK, the book data you supply gets onto a publishing industry database and gets picked up by booksellers, while you sleep (so to speak). Amazing, no?

The entries on Amazon aren’t complete yet, of course, because the book is only just now being uploaded for printing and then it will take time for information like the cover picture, the book description and the correct number of pages (216 not 250 which was an estimate!), to filter into the Amazon systems (the book will appear on amazon.co.uk most quickly because it’s British, and it will take longer to filter through to amazon.com, and maybe to other Amazons — maybe try your own particular Amazon and let me know, as I am still trying to understand how all that works).  And, of course, it will only actually become available to buy when the proof copy has been approved, and I haven’t seen that yet… but I think we are talking only weeks and not months away now, before Happy Tango is out there, in the world, with tango travellers, doing the job it longs to do. Drum roll by a million Barbies (at least as loud as, but far more tuneful than the World Cup vuvuzelas) officially starts here!

As part of the build-up drum roll, I’d love to give you a first glimpse of the relaxed new home I’m furnishing for Happy Tango on the web at sallycatway.com/happytango. Do take a look. Eventually you’ll be able to go straight to Amazon from there to buy the book. It will also be the place for me to post occasional updates (in the form of a blog of The Updates) as they become necessary (between editions), and for you to comment with your feedback, too. I know you might imagine that I’ve been swanning around England sightseeing for the last week and a half, but oh gosh, there’s been a bit of 24/7 trabajo going on, I can tell you — I am so damn determined to get to the end (or perhaps the beginning) now, and in the past weeks that has meant me learning the ropes of interior book layouts, Adobe Acrobat Pro PDF conversions, how to turn a manuscript into a paperback… all things you need to get to grips with if you are going to publish more books in the future, as I am. What a journey. But maybe, just maybe the beginning of the next phase is at last in sight.

Yesterday the journey took Me and C. to Stockport in the north of England, to see our accountant. As is our way, we ended up adventuring beyond the numbers that can govern so much of life, into the town centre where we discovered incredibly beautiful market halls, meat counters capable of making even an Argentine’s mouth water, and friendly people willing to advise Carlos on which barm would be best for a bacon butty. Here are a few fab pics to tempt you, in case you’ve never been lucky enough to get to this historic Lancashire gem. We didn’t actually travel in the train with the girls in mini-kilts, with legs up to their armpits, but if you want to spend more time with them on a steam train, you can sign up with The Railway Touring Company here. What synchronicity that we were awaiting our connection on Chester station at the precise moment when the station-announcer sang in (over the tannoy, leaving the entire station of commuters open-mouthed) the arrival of the steam train, with a powerful rendition of The runaway train came down the track… did I ever mention that I love these little surprise signs that everything is exactly as it is meant to be? The timings of The Universe… I mean, don’t you just love them?

And then, putting Amazon and Happy Tango on one side, we come to the second reason to be cheerful, and well, I reckon that whether you are into the World Cup or not, and whether you are supporting Argentina in the World Cup or not, you can’t fail to smile at the sight of Carlos celebrating the first Argentine win of the tournament, with the BBC (or maybe it was ITV) in Warrington, which is sort of near Stockport. My family couldn’t help smiling to think that we were celebrating with him… I mean, a few years ago, before Argentina became more than The Hand of God and The Falklands to me,  we would have probably been yelling at the telly (I am slightly ashamed to say) for the Argies to lose. Food for thought no? It certainly was for us, and as we reflected a bit on that over a curry after the match, I for one was relieved that my perspective has been changed (as it always can be, if only I allow it to) by touching the soul of another human being, and listening to its unique song.

As for my own unique song, thanks for listening to it bubbling here today, and I hope, for listening to a bit more of it once Happy Tango is available. If you do get the chance to pre-order the book, or register interest in it on Amazon, that’d be so cool. It’d be amazing beyond words if Happy Tango could rise up the Amazon sales rankings and fly the flag for independent publishers everywhere, for Argentine tango as it is danced in Buenos Aires, and for all of us who are prepared to travel to the ends of the earth (or at least, to other continents) and beyond, to live our dreams.

ps. And just for fun (added on Sunday 20th June), here’s the current Amazon Sales Rank for Happy Tango in the UK… and like I said, the cover image is to come later… and hopefully, lots of fabulous ratings and reviews from you guys!


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One of my basic beliefs about creating art from the heart has been proved true, right here on this blog: if you do what you love and put it out in the world with good intention, you are rewarded a million times over, in ways you could never have imagined.

When I wrote the post The milongueros I love – The Gift (Part 1), a week ago, I knew that it had come from my heart. No question. It poured out in a few hours of intense (up all night writing) activity, and I was powerless to stop it. When I hit the ‘Publish’ button, I knew I’d written a cracker (cracker to me, meaning, my truth, in a language the world might understand and be entertained by). Question was though, Would people be inspired enough to comment on the post and share their experience? In my three and a half years of blogging, I have learned that it takes a fair bit to get a reader commenting on a blog for the first time. Yes, your friends and family might comment, but people you’ve never met, or people who don’t normally comment on blogs, or who don’t blog themselves? It can be a bit trickier to hook them. But, I wanted your feedback. Sallycat, be bold, I said to myself. Ask, and maybe you will receive. I did, and oh boy, I did.

In the three days after I published the post, thanks to your emailing, Twittering, Facebook-ing and posting, it was read around 1000 times, and over the period of a week I received emails, messages and comments galore. I’m not talking one liners either. You sent me essays (often extremely personal and moving), some of which I yet have to digest. Incredible. I spent hours replying to all your generous shares, and I am still doing so. Basically, I couldn’t blog until now, because I’ve been overwhelmed by feedback and I’ve ended up writing almost a book in replies, myself!

Bloggers have kindly blogged as a follow up to the post, and one was even inspired to write a poem entitled, The Older Woman (ah, I may be 47, but I can still inspire a man I’ve never met to write from his heart…). Check out Tango Beat for the poem, and Tango Commuter and Accidental Tangoiste for mentions of my post. Thank you guys and girls. And, if you blogged on the theme and linked to my post, and I didn’t spot it yet, please comment and tell me, and I’ll add you here.

If you haven’t already, do read the 67 comments (at Monday 17th May 2010) written here. There is some amazing stuff, and to be honest, I’m not yet quite sure where it is going to take me. One lovely theme that emerged was how we show to our partner (knowingly or unknowingly) that we have given or received the gift – and just to clarify, to my mind, the gift is elicited (often via the behaviours I mentioned in my post) and received by men, and given by women. Joe Tango surprised and delighted me with his knowledge of ‘the giggle’ – Where are you man? Come to Buenos Aires and dance with me! On Saturday a milonguero asked me why I was laughing as we pulled apart. I explained the word ‘giggle’ to him. After that he insisted on calling me Sally Giggle (or rather, Saleh Gigul, pronounced in lovely Castellano-style), and he giggled a lot too; see Joe Tango, you comment on some chica’s blog, and your spirit ends up with her, on the dance floor of La Leonesa, Buenos Aires, on a Saturday night… I mean to say, I’ve always giggled, and milongueros have always asked me about it, but this time, fired up by the discussions here, I was moved to pop the word ‘giggle’ into their vocabulary. Wonderful!

Another intriguing theme, and perhaps the crux of it all — in terms of whether this ability to elicit the gift and thus to experience even more bliss himself, can be taught or encouraged in a man, or whether it can only develop naturally over time — was the business of how much a woman can influence the man’s ability to receive the gift: he has so many things to think about in the early days of developing his dance, said a few folk, and yes, of course they are right. I’m interested to know, though, how many men in the very early stages of learning to dance tango have actually stopped dancing (and so removed all those distractions), in a safe environment, and simply hugged (or, OK, if hugging seems a step too far, embraced very closely) the woman in their arms, as a piece of tango music they both absolutely love, plays… and if they have, what have they felt? If they did that, could they gain a glimpse of the bliss to come further down the line, and so become more inclined to worship the Goddess of tango gifts, rather than fall at the feet of the God of tango moves? Food for my thoughts.

Then there is the all round matter of what, if anything, can be done to tear down the walls of ego and social conditioning within both men and women, in order that they can shed the blocks to giving and receiving the gift. This is the point that fascinates me. I remember how horribly awkward I felt in my first close embrace. My British reserve? Not a touchy-feely type? Not at ease in such close proximity to a man? More of a tomboy than a woman? Ego-driven anxiety about doing it wrong? I’m thinking about all that too.

The long and short of it, is that I’m not ready to write Part 2 yet, although perhaps this is a kind of Part 2 in itself. The creative process is one I am slowly getting used to, and for me, periods of ‘cooking of ideas’ are required; the cauldron has to bubble for a while.

Meanwhile, here’s a sneak preview of the magic stuff most recently conjured up by my creative process — my first book, Happy Tango: Sallycat’s Guide to Dancing in Buenos Aires. I cannot tell you how excited I am to show you this – the front cover (click here to see it)! Everyone is asking me, When can we buy it, have it, see it, read it, touch it? The answer is, I hope with all my heart,  in June. I am willing The Universe to make it so. Please help me by doing the same. I will post news, as soon as I have it! I am longing to touch it too.

Once again, I thank you for sharing your tango experiences with me. Without you lot, all the people I’ve met through tango, there’d be no book, and no tango magic at all. Here’s to us. Tango dancers who seek bliss, wherever we are in the world. People, we rock!

.

Photo of Me and C. giggling in La Glorieta, with thanks to Julie-Anne Cosgrove.

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Sometimes the truth just pops out and hits you on the nose.

It happened to me a day or so after I wrote here about my anxieties concerning sending Happy Tango out into the big, wide world. What a relief the truth is. My mind is calming by the day, and I’m able to look back and see the route I have taken more and more clearly.

Here’s my latest theory on the process of writing from your heart.

When you make a book that takes more than 18 months to create (as mine has done), you are not going to be the same person when you finish as when you started.  Your views will shift, your ideas will evolve, your experience will grow. By the time the book is published, its heart-content will already, in a way, be part of your past.

When I write a blog post it’s immediate, isn’t it? You get my thoughts on any given day. It isn’t like that with a book: it’s written over a period of months but then it’s edited, sub-edited, crafted, test read, fed back on, tweaked, amended, designed, printed… the time involved after you originally created the heart of it, is long. So, there is a natural separation of the author from the book — the distance between the me in 2010 who is publishing the book and the me in 2008 who conceived the idea for the book. In my life there was a moment in time when I could have written this particular book for tango tourists, and truthfully now, the moment has probably passed. I’m so glad that I seized it, when I had the chance and that in doing so, I created the only book I could, the one that was meant to be.

Of course, I worked very hard to remain involved with my creation throughout; I wanted to keep the passion for Happy Tango alive, to make sure the book was full of my soul. And I think I succeeded.  But, last week I realised that some of the thoughts I was having like, Perhaps I should have… and Maybe it would have been better if… were not to do with the content of this project, but they were to do with my capacity for fresh creations: my latest ideas, my new thinking position, my potential for future projects. And the minute that penny dropped, I stopped worrying. Even my fears about the quality of my writing slipped away. I’ve learned so much about good writing in the process of this book, and I’ll be able to apply it all to the next one won’t I?

The next one? I hear you cry.  Mmmmmm. Well, I’m exploring some ideas, and kind of researching in the arms of my most-loved milongueros on the dance floor… and that’s a pretty cool place to be doing research, I can tell you.

Someone said to me the other day, You are living the life aren’t you?

In the moment that they said it, I was suffering with post-book panics and wasn’t able to embrace the comment with quite the enthusiasm it encouraged. But, today, you know what? I can wholeheartedly answer, Yeah actually, I am. And it’s good. And I’m feeling grateful for it and for the marvellous people who commented on my fear post, and helped shift me on along my path.

I needed you guys last week, and you were there to tell me the truth.

Thank you.

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How do you let go of fears?

I’ve been plagued by them since I sent Happy Tango off and tried to let go. After sobbing to C. last night, I felt slightly better; felt like I was crying the book out of me really; crying my heart out; the two things are kind of the same you see.

Yesterday, in the bathroom mirror, I caught a glimpse of maybe, just maybe why some amazingly talented artists don’t live to see their stuff out there in the world, and why some never get their art out there at all. Despite all my big words about living my dreams, and even my big(gish) actions in trying to do so, inside I am totally terrified that I’m not up to the job, not good enough, that the words I’ve written will be ridiculed. And it’s not that I don’t believe in the book. I DO. I think that it’s absolutely bloody brilliant11 fab Rules for landing the happiest possible tangos in Buenos Aires; an A to Z to put you in the know; a strategy for deciding where to dance first… all utter genius!

But writing that on this page (thank you Barbie) and remembering it are two very different things (thank you VOD); I’m haunted by the small errors, the things I got wrong, that you might come out of somewhere and turn left instead of right because of a mistake I made, or that my opinion of a place might be completely different to yours (gonna happen, of course), or dare I say it, a word I missed out because I was so tired by the end of it all, that I couldn’t really judge whether or not I was reading aloud what I’d actually written. I had some amazing help with my book along the way: a fabulous editor; a brilliant sub-editor; my test readers; my darling mum, who proof read it; but in the end it was just me, in the early hours,  surrounded by mountains of papers and tango magazines and maps, making the final amendments and deciding to send it off to the designers (I am the publisher too, this time round, you see). Should I have kept it longer? Visited places all over again? Pestered a friend to read it one more time, and delayed while they did (and while I made more changes that would have meant more errors)? On balance, nooo – it had to go before my life got lost in it; but in my head, if only… and what if? This is grim thinking, and getting me absolutely nowhere.

I’m hesitant to write about this stuff. But doing so is part of my big(gish) actions to step off the edge, live my dreams, and inspire others. Living your dreams sounds nice and cool and fabuloso, but it doesn’t mean it’s easy. And I prefer to tell the truth about that.

Someone sent me a link to a website this week: thegapingvoid.com. It’s very marvellous for people like me. Tells us sharply (and in pictures, so that we can still get the message in our madder moments) that we are not alone, and that we should get on and bloody well do it anyway.  And I will. You know it. Right now though I feel like my book has been caught on camera. The snapshot has been taken, and there’s no going back. The gaping void? Well, exacto.

Anyone else ever felt like this? Or is it just me and the little girl in the bathroom mirror, and the genius guy who draws those spot-on cartoons?

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This week, after eighteen months of writing Happy Tango: Sallycat’s Guide to Dancing in Buenos Aires, I finally attached the manuscript to an email, and sent it to my book designers. Just one moment of hitting send. And, it was gone. Out of my hands, into theirs. And thus, maybe, eventually, into yours.

The night after (and even the night after that) was pretty sleepless, with my mind whirring over all the things I should have done better, didn’t do, ran out of time to do…VOD. VOD. VVVOOODDD!

But, both you know and I know that I could have gone on with the damn thing for ever and ever; and never got it out there at all. Completing/finishing never really was my cup of tea. Obessive perfectionism was. And oh my goodness, how writing a book and finally letting it go has made me work on that particular character demon. I’ve learned that you can’t really ever finish a guide book. As soon as you’ve finished, something changes and so the guide book needs changing… you just have to go for a snapshot, a moment in time, and hope that the majority of the content helps people anyway, even if a few places do change or close down (and they certainly will). I’ve gotta start believing that my little book will be an entertaining and helpful read, whatever unexpected twirls take place on the huge Buenos Aires dance floor. And it’s only the first edition, right?

It probably wasn’t the most perfect timing (because it played right into VOD’s hands) that I learned (the very night I’d sent the manuscript off) that there’s already a new guide book for Buenos Aires tango, published this very month… so my Happy Tango won’t be the first book to take you tangueros by the hand, and I dare say it won’t be the last either. The great news is that you will have plenty of choice, and The Universe will make sure that there is a book to suit everyone. I wish the other book huge good fortune, because I totally know the work and love that will have gone into it. Meanwhile, I’m hoping that my own book Happy Tango will be for sale by the end of May, so if you do fancy the sound of my Sallycat voice on the subject of how to find the happiest possible tangos in Buenos Aires, you won’t have that long to wait.

I’ve still got a few small obstacles to climb. The cool thing is that the publishing company I set up has successfully received its ISBN numbers, so the paperback and any e-books I create from it have official passports, can travel and be tracked wherever they go. Months ago, all that seemed impossible, but it wasn’t was it? One step at a time we got there. That’s how I know I’ll manage the next steps too. Sorting out how to get the thing printed, so that it actually pays for itself, and can be ordered by you from wherever you are in the world, is the final-ish hurdle. I’m already on the case.

Plus, I’m going to try and visit a few tango communities in the UK this summer, if they’ll have us: Me and C. and Happy Tango. Will be starting to email a few folk on that soon, when I’ve recovered my strength.

When the journey seems a bit tough, I look for joy in the small things; the little signs from The Universe that all will be well, that I’m on the right track, that I am wise to be trying to live my dreams, whatever the outcome. Here’s the sort of happy matter that keeps me dancing on. When we (that’s me and the lovely folk giving me a helping hand) set up our UK publishing company Pirotta Press Ltd, we had to apply for an address for it… the address that will appear in the front of every book we publish: in the UK it’s called a PO Box address, and it has a PO Box number. The Post Office allocate them randomly of course. Ours turned out to be 1154; that is, PO Box 1154. Of course I was over the moon that the number eleven featured – Sallycat’s lucky number. But then a friend pointed out the other marvellous little ‘coincidence’: when dialling Buenos Aires from the UK the prefix is +54 11. So what I really have there, in the address of the publishing company set up to publish Happy Tango: Sallycat’s Guide to Dancing in Buenos Aires, is ‘Buenos Aires (11), Argentina (54)’. And that dear readers, has got to be something to smile about: a tiny but significant source of delight.

People tell me to enjoy the journey. I tell myself to enjoy the journey; you know I do. Part of enjoying is to do what you can from your heart, and then let the results take care of themselves. That’s my work this week, and it includes getting quite a lot of restorative sleep. Sometimes I really do wish I was a cat. Now it’s time to rest like one.

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Yesterday, on the path of going with the flow, I discovered a not-to-be-missed stunner of a place in Buenos Aires. Remember how the last little instalment of Sallycat’s Adventures saw me touching the Virgin of Luján? Well, the next thing I knew, one of my best friends here was telling me that a friend of hers, Lilian Laura Ivachow, was screening her new film-short, PABLO Y VIRGINIA…VIAJAN A LUJÁN, at the Biblioteca Nacional.

Do you fancy it? said my friend. Oh yes, said I.

The film turned out to be quite brilliant. I loved it. It’s the story of two people who meet while making the annual pilgrimage walk to Luján and it’s a moving study of human relationships (with others, with ourselves, with the things we believe in). The setting of the Luján pilgrimage is intriguing, and the subtitles do not cheat you out of connecting with the characters, who are great actors, and who improvise their interactions, around some topics given to them by the director (she told us that afterwards). I say, see it, if you ever get the chance.

And it was not just the setting within the film that intrigued me. Entering the vast concrete space that’s created by the Biblioteca Nacional, I could not believe that I had never found it before. It is a powerful (and some might say, ugly) place: towering shapes that loom overhead; ramps, walkways, and terraces that coax you to step on to them; a mix of deep shadows and bright light (on a sunny day) that begs you to take out your camera. I started saying Wow! to myself as I wandered up Aguero from Avenida Las Heras. Sallycat, you’ve been past this turn a thousand times on the bus. How could you not have explored a little further? How could you not have seen what was there, just around the corner? How could you not have wanted to know? You might have missed it altogether.

I had a coffee with my friend before the film. The terrace of the first floor café appears to hang over the walkways below. We sat there, suspended for a moment above the rush and crush of the city, on chairs of rather wacky design. We talked about what it feels like to live your life on the edge. Or at least, I poured out my heart on the subject. To my relief, I discovered that she understood me: she understands because she is pushing the boundaries of her world, too.

Once upon a time, my life was a little bit like a nice comfy sofa: lots of lovely things around me, like proper and very expensive beds, Nespresso coffee machines and ready-made pods of coffee efficiently delivered in the post, conversations all in English, a husband with a well-paid job and great prospects, a pretty cottage-style house with a gorgeous garden, endless writing courses, craft courses, gardening courses, holidays all around the globe… a kind of secure feeling inside, a safe feeling. Unfortunately there was also a slightly dead feeling, a sense that I could be more, do more, become more. No matter that I could always have more: a new sports car, a big flat screen TV, a new loft conversion; having more did not solve the dead feeling. Yes, to be sure, it was a nice comfy sofa, but it was so nice and comfy that I was falling asleep on it, and my soul was dying.

Now the cushioned sofa is no more. In a twist of fate, my sofa these days, also happens to be my bed. And, the very fact that I have to fold it from bed to sofa and back every day to create the room where I want to spend the next twelve hours, means action. If I want to share it with Carlos, I have to get up and turn the sofa into a bed. If I want a house that feels like a workspace, or a sitting room, or a space to entertain friends in, I have to put the bed away… it feels symbolic to me. Even my sofa won’t let me doze off for too long. Thank God. But being wide awake and walking hand in hand with my soul is not always easy for me, and perched above the streets of Buenos Aires yesterday, I felt able to speak my current truth.

I’m scared, I said to my friend. When I’ve finished this book, what will I do? Who will I be? What will my life become? Will people like it, hate it, want to know me, not want to know me? What will I do with the thousands of hours I’ve poured into it? Where will I direct my energy next? How will it feel to send the book out there, let it find its own way, let it go, actually finish something of my own for the first time in my whole life?

It all came out in a rush. The fear.

It’s okay, she said. Normal. Normal to be scared. Especially normal to be scared when you live your life on the edge.

Yeah, I said. The edge. The edge of pushing your boundaries in the effort to discover who you really can be. The edge that means the utter joy of realising that you can experience everything your heart desires, if you want to. The edge that means the dark terror of feeling that every step is a step into the unknown. We who push our boundaries every day… we who don’t just dream, but who hound our dreams until they become our realities, have to find out the consequences of those dreams… and here I am, scared of the consequences of mine.

And yet, if I could, would I change my life, and go back to the comfy sofa? Let’s face it, I do have a choice. I could just bin the book manuscript right now, and never even hand it to my little band of Buenos Aires Beta Readers in the next couple of weeks. Yeah right… I could bin the book. But I won’t. The test readers will be reading it. Then you’ll be reading it. And then there’ll be the critiques and the comments and the silence and the good parts and the bad parts and the out of date parts and the next edition and the next edition after that and if it all gets too much I can run off to Brazil, or the Falklands or something! Ha! Oh, who knows what will happen?

Yesterday I went with the Luján flow, left the same old 59 bus route behind, and ended up in a completely unexpected but amazing and inspiring space; I had the conversation I needed; and I came home knowing what I would write about today on this blog. I think the Virgin of Luján had a message for me, and it was this: Walk boldly into the new places hidden just around the corner of your life, because only then can you see the next space, the next action, and so become who you are really meant to be.

Yes, I might sometimes feel that I am living on the very edge of my capabilities, but it doesn’t necessarily mean that I’m about to fall. Rather, if I keep moving my edge forwards, I can continue to build my very own rather beautiful and unique road. I’ve just got to keep believing that I can. And somewhere, deep down, under all the fear, I do. I do. And I will.

Meanwhile, if you’re visiting Buenos Aires and would like to be inspired by the power of the Biblioteca Nacional, here are some photographs of what you can expect, and in case you need it, you can find the address and a map here.

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