tango shoes

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Silvia Alanis at workTell me what you’re looking for and how much cash you want to spend, I say, Then I can decide on our route.

My friend is a tango-shoe virgin — so far she’s been dancing in footwear that resembles ankle boots and, I imagine, must deliver very sweaty results on 35-degree, early-summer days. I say this based solely on knowledge of my own feet which, alas, do not stay muy dry after three hours of dancing, even in winter. We’re standing on the corner of Montevideo and Avenida Santa Fe in Buenos Aires, at 11 o’clock in the morning on the first Saturday in December. I’m remembering my own first tango ‘danced’ in leather-soled cowboy boots from Mongolia, and the pair of shoes that followed those boots: ugly black closed-toe affairs bought in a dance shop in Basingstoke in 2006.

I’m looking for a pair today, too, I tell my friend, I might treat myself… if I find the perfect shoe.

It’s almost eighteen months since I bought my 2×4alpie favourites, and I’ve neither bought nor worn anything else since. I’ve been waiting for the new models of 2×4s for women to be ready, but they’re not due till next year. So, I need a fresh-smelling pair of tango shoes that will feel comfortable from the moment I step into them and that can cope with a pretty intense workout on dance floors of stone (common here in BsAs) as well as of wood. I don’t really expect to find anything that fit the bill, to be honest, but introducing a girlfriend to some of the tango shoe stores in Buenos Aires is a great opportunity to see what’s on the market as we approach 2011.

In Recoleta we visit Taconeando (on Arenales), GretaFlora (the new store on Uruguay) and Comme il Faut (just off Arenales in its slightly-tricky-to find-if-you-don’t-know-it’s-down-an-alley-and-up-some-stairs location).

Taconeando has prices as low (and therefore as relatively affordable) as around $300pesos, a red and black pair that my friend loves, but not in her size, and nothing to tempt me, because I already know their styles (though I like the youthful, trendy look of some) don’t work on my feet. The shop assistant leaves us to it, but tells us the shoes available are only those on display — no other sizes — which seems a bit odd, and I can’t help wondering about the economic climate, the rampant inflation in Buenos Aires and how tango-shoe businesses are being affected by the combination of the two. The brand retains its original designs, but the shop itself does not have the up energy that it had the first time I went in there in 2008. We move on.

We are the only customers in the new GretaFlora store. The store has a classy, designed-for-Recoleta feel, but I’m a bit disappointed to realise we’re in a store selling mainly street shoes for around $700-plus pesos a pair; the tango shoes — which do have a beautifully-crafted look — are from $580pesos (I think the assistant says that) and I’m afraid I decide on the spot that I’d probably save that sort of cash for a shoe with an interchangeable sole, in other words the new models of 2×4s due in 2011. While admiring the stunning leather and stone-cluster clip-on flowers behind the counter (a relative bargain at $90pesos a pair), we learn from the friendly and kind assistant that it’s the Palermo GretaFlora store that has the full range of tango shoes… this new store is really for weddings, parties, luxury footwear for off the dance floor. No-one else comes in while we are there. We thank her and move on.

I already know I won’t be buying anything in Comme il Faut as I just don’t find their shoes flexible enough or cushioned enough for my slightly damaged left big-toe joint (I’ve got 4 pairs of CiFs in my kitchen cupboard that I never wear). However, once my bum is on that velvet couch of theirs, I can’t resist trying a pair in black patent leather … but no, I was right, the toe bar is way too hard for that left foot, so I hand them back fast. My friend, on the other hand, predictably falls in love, with a delicate design in red and black that conjures words like France and sex and goddess and daring romance. She spontaneously starts doing adornos on the carpet in front of the mirror and clapping her hands, and I see the SOLD sign reflected in the shop assistant’s eyes. But, it seems, my friend is not the impulse buyer that I myself can be. She leaves her heart’s desires in a box with her name on it and promises to call before 3 o’clock if she wants them. We’re told they’re $440pesos for cash (surprisingly similar to the 2009 price) including $10pesos to get cromo (a coarse suede suitable for the average dance floor) sole put over the standard leather (slippery on wooden floors). As we leave, two female customers come into the store to take our place. I think I count four assistants ready to serve them. A quiet Saturday or the norm these days? I seem to remember the sofas overflowing with eager punters in the past. We leave Recoleta behind and make for the scruffier Microcentro.

We walk a roundabout route up Esmeralda to take in TangoBrujo (I was once tempted by the comfort and trendy denim of a pair of shoes in there), but instead of the buzzing shop and high-energy tango school I was expecting to find, I’m confronted with the sad face of a dusty, locked building that offers only a feeble memory of tango, trapped in a few remnants of window signage. Perhaps only the ‘go’ in tango is left there, stuck in time on the glass, and we do indeed move on, with me muttering, I knew there was something up when they closed for renovations last year… hell, I’ll have to cover it again on the Happy Tango updates blog. My energy drops a notch at the loss of a place that so many of my younger friends enjoyed over the years, but I remind myself that sometimes things have to fade so that new things can grow in their space. I march my friend on.

How many more shops can we fit in before they close (3pm or even 2pm on a Saturday)? The six clustered on Suipacha? I’m thinking this, when into my mind pops the image of a metallic lime green toe-bar with an embroidered swirl — an Alanis shoe I saw in the window of Diagonal Norte 936 in 2009. I remember the shop and realise that I am almost standing outside it. The door of the tiny store is open. And inside, a smiley woman is dancing, kind of bopping actually, to tango music, as she organises the window display. Her vibrant energy reaches me before I get to the threshold. Let’s just do this one first, I say to my friend. And we go in.

Hey! How lovely to see you dancing so happily, I say aloud to the woman, in my heavily British-accented Spanish. I can’t help myself… the words tumble out to greet her.

I’m Silvia Alanis! She almost sings it, And these are my shoes. I design them!

She enthuses to us about the old models, the new models, the details that she is most proud of. She darts around the shop, touching this shoe and that. I notice the stitched signatures, the pink heart in the Alanis logo, the Alanis strapline You can fly! and the fresh leather smell of the new models for the summer season being unpacked on the floor.  Silvia Alanis proceeds to help me find exactly the style that will feel secure and strong on my feet, and as she does so, we talk about the addictive nature of tango, about the milongas, about the men in the milongas. We laugh a lot. I sense that her business is alive and kicking and, I hope, growing. I know I want to wear her energy when I dance. It shouts CREATIVITY AND PASSION! I buy two pairs of her shoes at $430 pesos each. I show her Happy Tango, and the Alanis entry in it under 10 Tango Shoe Stores, tell her how the lime-green toe bar and embroidered swirl stayed in my mind and led me back to the shop one year on.

I reckon we are with her about an hour, though we do pop round the corner to the stores on Suipacha (still there but with one or two small changes not really worth mentioning), where my friend buys a Titania-worthy pair of deep-green shoes in a packed-with-customers Flabella for less than $300pesos, while Silvia Alanis makes final adjustments to my own new shoes down the road. On our return she puts the shoes on my feet and measures exactly where the holes in the straps should go. I leave the store beaming and confident that I won’t sit in the milonga later wishing that I had a hole punch in my kit bag.

By the time we’ve trekked back to Comme il Faut for the red-and-blacks, it’s 2.55pm. Comme is about to close, but now it’s heaving with customers (so perhaps GretaFlora and Taconeando are too) and I realise that the many tango visitors who frequent the night-time milongas (and the tango shoe stores) are probably not out shopping at 11am in the morning. Unlike me who wakes at 6am to have breakfast with C. before he heads off to work, even on a Saturday, and who dances in the early-evening milongas as a result. I can choose to dance three hours at a Traditional-style** milonga and still be in bed by midnight, thank God.

My friend and I laugh our goodbyes with excited voices wishing each other well for the night’s dancing and for the new shoe try outs. I can’t wait to step into a pair of mine at Los Consagrados where I’m headed later.

But, I’m a little nervous. How will it be to be led on to the pista with an unknown quantity on my feet — brand new shoes carrying only the energy of Alanis and whoever else has touched the leather? My 2×4s may be well worn and in need of fresh air and retirement, but how many miles have they danced with my soul? They are packed with a sense of security and familiarity, memories of my tango footwork, imprints of every piece of music that has resonated through them. They’re the first dance shoes that have felt as a perfectly moulded extension of me. Can I ever get that feeling again? Should I really have trusted my heart in deciding to take Silvia Alanis into the embraces of ‘the milongueros I love the most’? Or should I have kept scrubbing the 2×4s with CIF cleaning creme for a little longer?

The night ahead holds the answers, and as I turn from waving my friend chau, I can’t help noticing the slight slink and swagger in my walk, as I stride down Corrientes towards the moment when I will take my new shoes onto the dance floor to lose their virginity…

Dammit. Who says tango isn’t about sex?

For pics of my old and new tango shoes, in all their December 2010 glory, click here.

There is a good interview with the founder of Taconeando, Marlene Heyman, in the November edition of the Cambalache magazine, which appears to be a new and topical ‘tango magazine’ first published in April 2010; the website is very informative with details of concerts and other events posted. Enjoy.

**For my definition of a Traditional-style Buenos Aires milonga, you’ll have to read a copy of Happy Tango — my book.

Buy Happy Tango: Sallycat’s Guide to Dancing in Buenos Aires, and start flying towards your own tango adventure in Buenos Aires, today!

Join the book’s Facebook page for all the Happy Tango updates from Buenos Aires; click here and then click ‘Like’.

If you’ve enjoyed reading Happy Tango, please recommend it to someone else who would enjoy it too. Thank you!

Click a link to buy Happy Tango from:
amazon.co.uk
amazon.com
amazon.ca
amazon.fr
barnesandnoble.com
BookDepository.co.uk
BookDepository.com (the Book Depository offers free shipping to many countries). If you prefer to buy from your bookstore, then you should be able to get them to order you a copy, wherever you are in the world. Ask for:

ISBN: 9780956530608
Author: Sally Blake
Published by: Pirotta Press Ltd
Publication date: 30 June 2010

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IMGP4028 It happened because I offered to buy a few pairs of men’s tango shoes for friends in Britain. It happened because I finally decided to consider a tango shoe for myself, that I’d previously ruled out because it didn’t look like the CiFs I was used to. It happened because my Spanish is now at a level where I am not so fixated on my own inadequacies that I miss noticing the soul who is speaking to me.  This week my absolutely bloody brilliant Barbie spotted another absolutely bloody brilliant Barbie and the…

images Barbie images Barbie

Absolutely Bloody Brilliant Barbie Award

was born.

I saw the Barbie too. I saw it in the eyes of the shoe designer who sat in front of me, as he told me that he never stops thinking about how he can make the best tango shoe in the world. I saw it in the inspired and unique interchangeable sole of the 2×4alpie shoe he held in his hand. I heard it in his slightly breathless voice as he told me why, regardless of the horrendous inflation in Argentina and the effect it has on the price of his shoes, he will never compromise on quality.

Afterwards, Me and my Barbie stood shivering in the freezing cold at ‘the quinze’ bus stop in Scalabrini Ortiz, but our excitement kept us warm.

Sallycat, we have to party! trilled Barbie, and she continued in a rush, I mean Sallycat, in the battle against the VODs, you just gotta talk Barbies, and not just your Barbie. You gotta shout about the other Barbies in the world too. Make beautiful Barbie noise, and drown out the VODs! Don’t you think, Sallycat? Oh don’t you? Don’t you? Oh please say you do!

Oh I do. I do.

So I will. With this award. Which I shall give freely, whenever my Barbie wants.

I remember back in 2007 when 2×4alpie was just starting to sell shoes. There was no shop in those days. Chacho was a mate of Ariel’s and he used to bring the shoes to Club Gricel on Saturday nights and we all used to marvel at the interchangeable soles. I was a bit dubious: Would I really want to change the soles? Would the ingenious velcro system actually be strong enough to hold the new sole in place? Wouldn’t the sole catch on uneven floors?

IMGP4037 I did love how the ladies practice shoes were about as far away from the usual clunky trainer style as you could get, made me feel like a princess (I hadn’t discovered Barbie at that point), and came in gold with holes in the upper to let the air flow cool over hot feet. Carlos fell for the wine coloured shoes in the softest leather I had ever touched. There were no ladies tango heels back then and anyway I was buying CiFs. Me and C. couldn’t resist though, and we started our family of 2×4s.

IMGP3955 Ariel often danced in Chacho’s shoes too and he went for the totally cool man designs in black and white or brown and white. Style-wise, I’ve never seen anything to compare anywhere else, to be honest. Maybe it’s the shoe shape, maybe it’s the specific pattern of the one leather laid on the other, maybe it’s in the softness of the leathers themselves… I don’t know, but when I see a man in these shoes, I see class, I see trendy, cutting edge… I see a tango dancer who knows what’s what. C. says that when he puts his 2×4s on he is transformed, becomes a bit of a ‘lad’ apparently, a dancer with attitude. In other words, his own dancing Barbie likes the shoes too.

Last year at the BsAs Tango Festival in Harrods I did try on a pair of the women’s tango shoes. I wanted them because they were the most comfortable I had ever put on my dancing feet, but I was still umming and ahhing about whether I liked the thicker than CiF heels. A male British mate of mine, let’s call him Greg, was with me that day, and he did splash out in the men’s department. He took his first ever pair of black suede 2×4s back to tango Britain. Was he the first Brit tourist to buy? Not sure, but I came away happy that Chacho’s gorgeous shoes would see the south of Inglaterra at least.

IMGP3969 Now I’m headed back to Britain in July, and Greg has asked for two more pairs of 2×4s: the proof of the pudding as they say… and so I make my visit to the shop this week, because yes, there is now a 2×4 shop. This time I try on the women’s tango shoes again. I’ve come along way on my tango journey in the ten months since the trip to Harrods last August. I no longer care about the width of the heel or the lack of glitter or lace… all I’m interested in is whether I can dance my heart out in this shoe. From the second my foot slips into the black and white pair, I have my answer – this time there is no hesitation.

IMGP4016 Chacho and Me sit in his shop for a bit with some choccie biccies and he shows me the old ladies tango shoe, once the property of a very famous tango dancer, that he took apart when he was working out how to make his shoes. He tells me how the famous lady tango dancer said to him, Make this shoe, but make it better. He shows me the stuff we wearers of tango shoes normally never see: the cardboard inside the shoe base, which eventually cracks and splits with serious dancing; the synthetic upper that looks convincingly like leather but isn’t, the lack of elastic at the buckle or the elastic that has torn with stress. He shows me how a 2×4 shoe is made… no cardboard in sight… just leather, leather and more leather.

IMGP3964 He reveals that it took eight months to develop the rubber/suede/leather interchangeable sole system. I tell him that I will definitely be using it: between the sweaty baldosa floor of La Milonguita, the glass like surface of La Ideal, the slippery wood in Centro Regiòn Leonesa, I know I am going to test it to its limit. No problem, he says.

While Chacho talks I notice something in him that I recognise. I see the same thing that’s in me when I talk about how I want my ebook (now in its second draft, honest) to help first timers on the road to happy Buenos Aires tango memories, when I talk about wanting to inspire people to follow their hearts, when I talk about wanting to help people to set their own Barbie’s free. I see passion. I hear it too,

I’m always thinking about how I can make them better. Always… he says.

His eyes shine, and my beautiful Barbie sees his Absolutely Bloody Brilliant Barbie. I see it too.

Maybe I should call this Barbie, Ken? After all it does live inside a guy, and God only knows how Chacho would feel about me talking about his Inner Artist this way… but, oh sod it, no, I won’t. I like the idea of an army of Barbie’s mixing creative magic in the world, be they living inside men or women.

So, Chacho Rosenkrantz of 2×4alpie, you unique and special human being you… for mixing tango shoe magic from passion and creativity right here in Buenos Aires, I’m giving you the very first

Barbie IMGP4028 images

Absolutely Bloody Brilliant Barbie Award

whether you like it or not. End of.

And folks around the globe, if you want to see more marvellous photos of 2×4s nestling among the tango shoes I have known, do check out my new and rather super Flickr photoset of that name, for the full celebratory picture book of  Sallycat’s Buenos Aires tango shoe family.

If you actually want to see the 2×4alpie interchangeable sole being changed, check out this little 2×4 video, which gives you a glimpse of just how bloody brilliant it is.

You can find 2×4alpie at Scalabrini Ortiz 1753 Apartment 3, Buenos Aires from 3pm to 7pm Monday to Saturday. If you want to be sure and meet Chacho, then phone before you go 1550112000 to make sure he’s in not out. In June 2009 all 2×4alpie shoes cost $470pesos a pair (when bought direct in Buenos Aires) and come with the full set of 2×4 sole change accessories and the sturdy, practical and super stylish 2×4alpie shoe bag.

And finally, if you own a pair of 2×4s, please feel free to celebrate them here!

The lovely trophy image above was originally on the web at dealbreaker.com.

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IMGP3940 We gather at 2pm in a posh cafè on the corner of Arenales and Libertad. We are Miss 15, Miss 10, Miss 4 and Me (since last week I am Miss 7).

Miss 15 announces,

Sorry everyone, I hope you’re not in a rush because I’ve ordered the Menu of the Day which includes a pudding. I’ve got to EAT! I just know the woman in Comme is going to remember that I never went back for those shoes…  I told her I had to check the colour of my dress… I didn’t know how to say I didn’t want to buy them… she put my name on the box and everything… I’ve not dared go in there since. Oh – my – God!

I say,

Well that’s why we’re going in there ‘juntos’, the four of us together – one of us is bound to buy. Takes the pressure off the others. Right?

The four of us end up sharing two massive lunches, although we don’t get extra plates because it turns out that in upmarket Recoleta, we will have to pay extra for the privilege of sharing. We play pass the plate instead, and the waiter turns a blind eye. We relax in each other’s company and enjoy being girls: our topics of conversation range from whether Argentine men are ‘lazy’ or not, and no, I’m not going to spell that one out nor reveal all, to how many pairs of tango shoes we each actually own: 15, 10, 7 and 4. We rather noisily spill ‘first pair purchase stories’, ‘the death of the first pair’ stories, and ‘the mistakes due to impulsive madness in Comme BsAs’ stories. Afterwards, as we make our way along Arenales towards the almost, but not quite, hidden alleyway that leads to Comme itself, Miss 15 and I pray together that the other punters in the cafè where we ate lunch did not speak English…

From the comfort of the Comme velvet chaise longues and happy in the knowledge that I am spending someone else’s dosh, I confidently select two pairs for Brit girls back in Blighty: one of the pairs I secretly want, and they’re in my size… Well, if she doesn’t like them, I mutter.

Miss 4, who is heading back to England herself next week, buys, with much encouragement from us all and from the boyfriend or husband of another customer – I’d so ask you to dance in those: mad but totally fabulous black and white dalmation toe bar and purple silk heel cage.

Miss 15 buys too, that is once she’s zipped into the stock room to strip off her thick woolly winter tights (in hindsight, perhaps not the best choice for tango shoe shopping): unbelievable classy purple patent leather snakeskin (a thumbs up from me on the easy to clean front). I would have bought them once upon a time, in the days before I sacrificed looks for padding.

Miss 10 gives excellent advice but refrains from trying on a single pair.

The prices aren’t as much of a shock as I expect. Yes the one Special Edition seems to be an outrageous $520pesos but most come in at below $450pesos for cash… yes of course we’re talking top end prices but these are absolutely a tango shoe being sold to tourists, and the fact remains that if you are a tourist then compared to what you can get in Britain at the prices you’d have to pay, these shoes are still not expensive – well, I mean, aside from the minor detail that you had to spend shedloads on your plane ticket to get here in the first place.

From Comme at Arenales 1239, we amble the few blocks to 1606 and Taconeando where none of us have ever been before. As I shoo the chatty chicas across the street and they spot the store, Miss 15 cries,

Oh thank God it’s a proper SHOP with shoes out on display and everything!

I know what she means. The Comme thing of having to describe what you want and then hoping they bring you a decent selection does get a bit wearing. In Taconeando there’s none of that. Within minutes the place is our dressing room, Miss 15(now 16) is peeling off those tights again and we can’t keep our hands off the shoes. They have a simple but funky feel, and one or two styles are different to anything I’ve seen before: I like them and on Miss 4(now 5), Miss 10, and Miss 15(now 16), the vibrant metallic leathers look absolutely bloody fantastic. On me they look ghastly and I am reminded that until you put shoes on yourself, it really is very difficult to know. I sit centre stage, like a mum giving advice to the daughters I might once have had: it’s fun. My ‘daughters’ are delighted to hear the prices too… Sorry, could you repeat that, did you say from $250pesos? My girls’ hands are in their respective wallets faster than you can say Taconeando. And they let us use their loo. Lovely.

As we (now Miss 15(now 17), Miss 10(now 11), Miss 4(now 6) and Me (still Miss 7)) cram into the taxi for El Beso and the early evening milonga we are all clutching prizes with heels. OK, mine aren’t actually mine, but I’m still savouring my DNI treasures from last week and saving myself for a visit to 2×4alpie (home of top end comfort)  on Saturday… a visit I’m making in part for the lovely British boys in my life and indeed for all the tanguero lads who read this blog – watch this space.

3525436021_02fb44ec78_mOh and while I’m on the subject of favourite tango shoes, I’ve this week been back to one other gorgeous store too: at Acuña de Figeroa 1612, the designs are unique and sport flowers; the colours have such depth that I feel I could dive into the shelves and disappear for a very long time; the craftmanship is top notch… it can only be GretaFlora, and I’ve written all about them before here and here.

I mention them again because for all you tangueros in the UK and Europe, I have great news! GretaFlora now have an agent in Blighty – two mates of mine as it happens: Anne and Donna; their gorgeous range of GretaFlora shoes (for both women and men) can find their way to you wherever you are, and can be found right here at AnD Tango. Take a look!

Meanwhile, back in Buenos Aires at El Beso, I dance in my pink DNIs. The sole, which is mostly rubber but with a suede toe area for pivoting – or at least I think it’s suede, works absolutely brilliantly on the wood floor. I feel rock solid on the heels that are slightly lower than I’m used to, and my body relaxes as a result. More than once I sink into my seat in front of the large mirror somewhat breathless from the bliss of being able to dance free from pain in my toe joints: I actually feel my dance has changed, and I like where it has shifted to. So do my partners it seems. They say some nice stuff with their eyes as they pull away at the end of each tango. I love that. And so, I love my shoes even more. I even find I love El Beso, which actually is a bit of a turn up for the books as I’ve often found it to have a slightly dingy feel in the past… oh hell what am I saying? It still has the same feel, but I find myself smiling anyway, and lingering: I am the last of us four girls to leave. I might even go back next week.

Ah, the magic of the right tango shoes when it comes to generating the all important magnetic energy, in the quest for tango bliss.

Do you have a magic pair that work wonders? Oh do tell…

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This is going to be a short entry. I need to be a bit strict with myself this evening about knuckling down to the final stages of my first draft of the bigger ebook project and not procrastinating by writing too much else. However in the interests of being truthful on the subject of nearing the end of a writing project (well, the first draft anyway!), yesterday there was a bit of VOD in the mix right on queue: oh you can’t say that, oh you can’t leave that out, oh you can’t put that in, oh it’s too tricky to get it right, oh why bother anyway… and so today I decided I MUST wake Barbie up, and get her firing on all cylinders because in the battle against the VOD, she is my saviour every time. I will point out that this is big progress, to actually know how to counter the VOD… I am very determined now, that he will not get the better of me.

This morning I decide not to sit indoors at the blank page because I know that is what VOD wants (so he can beat me up a bit), and instead I set off into the unexpectedly hot sunshine of this late May day to carry out a piece of research for the ebook (thus I am continuing to walk forward), and have some spontaneous fun in the process. I’m making for DNI at Bulnes 1011. I guess you all know DNI is a pretty famous Buenos Aires school of tango nuevo; I’ve never taken a class there, being a bit more traditionally-hearted in my tango – for now at least, but mates of mine have and speak highly of it; Bulnes is their new location; they have a store selling tango shoes and clothes; I want to go and have a chat with them, and check the place out.

On the way, to shake Barbie awake I decide to take three photographs of things I see that make me smile. Here they are:

Yellow leaves

Blue flowers

Spires

Once at DNI, the girl on the desk is delightful and she lets me wander all over the building by myself… it’s an old building and has a kind of welcoming rambling feel that I like: lots of stairs, light, fresh air and people dancing on wooden floors. After my wander, I ask the girl to open the shop for me and she does. We chat about classes, prices, how everything is currently based in Bulnes because of the renovations in Corrientes… I ask the price of the women’s shoes. I decide I will try some, just to see if they are comfortable, because I want to write about them and so I need to know. I never thought of buying shoes from DNI before – actually I think women’s shoes are quite a new thing for them. Anyway, apart from 2×4alpie, where I am going next Saturday, I don’t think I have tried on a more comfortable pair of tango shoes. And in the end it turned out, after much help from the lovely girl and a few other friendly folk who wandered in and out, and a visit from one of the cutest dogs I have ever seen (and I am a cat person not a dog person) that they had a pair that fitted me like Cinderella slippers in size 36.5 and that were pink. They were $340 pesos (currently a pretty reasonable price for a Buenos Aires famous name tango shoe) and because I haven’t bought shoes since 2007, and because the Commes I have are now too high and cause me too much pain, and because I have promised myself two pairs of tango shoes that I can actually dance in without needing to take Ibuprofen for the next 5 days… I bought them. Comfort! Fit like a glove! Pink patent leather with bright yellow insoles! Spontaneity! Barbie! Down with VOD!

Me and Barbie decide to celebrate with a Pepsi at a pavement cafe in the sun and end up splashing out on a delicious sandwich of aubergine, tomato, mozzarella and basil. I decide to FORGET how many pesos I’m damn well spending and believe for a moment that there is enough abundance in the world for us all, and to eat some of it right here right now!

Healthy stuff

While we eat we pull a book from our slightly grubby and very loud pink and brown flowery bag. A friend sent me this book from England. I start to read it.

At page 35 I start to cry: I am reading about ‘The hero’s journey’ and The Call to Adventure (perhaps the wake up call), and the book asks me if I have faced my own Call to Adventure, and if I have accepted it. I realise I am crying because I know, I absolutely know I have, and that I am on exactly the right path: suddenly I remember who I am, and how I am living my dreams, and keeping the pen moving and my feet dancing, and taking life as lightly as I am able to in this moment and SOD bloody VOD!

By now, I’m afraid Me and Barbie are in the mood to dance down the escalator to the Subte at Scalabrini Ortiz, we get a seat, we smile at everyone we see, we race home to write our blog thus clearing the way for the bigger project over the weekend and all the other super things we have planned: birthday parties and farewell parties and the absolutely fantastically special second anniversary of Me and C.

I’ve got a few things to thank for this perfect day:

  1. Me. I’ve learned what wakes Barbie up: spontaneity; getting out there and exploring lovely friendly, warm, spacious feeling places; taking photos; anything pink.
  2. My UK mate who was in BsAs, who goes by the gorgeously funky name of SurfFlower, who in connection to this little tale, used to enthuse about what a friendly place DNI was… she was right, and who sent me the book whose page 35 made me cry with joy today.
  3. The universe for providing Buenos Aires with unseasonably high 31º temperatures in late May that called me from my blank page, into the world of research, and walking, and feeling alive.

So to give something back, maybe you’d like to get to your page 35 too. I recommend it. If so, here’s what you’re looking for:

Just wild and true

Wild Love by Gill Edwards.

Oh, and if you want to see the shoes Barbie bought, well, check out the DNI store page here, and find the pink shoes at the bottom. I did try the gorgeous princessy violet ones in the top picture too but alas none in my size, which sort of led me to the pink. But Barbie wanted pink.

Oh, and I know the entry wasn’t short in the end, but it came out fast and true… which more or less amounts to the same thing. Now I’ve cleared the clutter, and I can get back to work!

Happy holiday (25 de Mayo in Argentina, Bank Holiday in UK) weekend to you all, and to ‘your Barbies’. Trust me. Go buy yourself something in your Barbie’s favourite colour tomorrow; even if it only costs a dollar, I guarantee it will make you smile. ;)

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IMGP1013 Monday comes. G. decides yes, and we head back to Greta Flora.

Heady from a ‘hips not body’ tango hour with Ariel, where I am perfecting my high boleos of both the square and circular varieties (that I never dance in the milongas!), I manage to end up at Malabia Subte station when it should be Medrano. Ah well fashionably late as usual, I eventually sort my brain out and we are back among the fields of tango shoes bearing flowers.

Today we have all the time our hearts desire and we take it. Once again we are the only customers. While G. deliberates, I notice that many of the shoes are priced at $300pesos, and therefore less costly than I first thought. The staff are extremely helpful and at least one person speaks English, though we all stick to Castellano.

G. asks many questions about this shoe and that shoe, and it gradually dawns on us that actually we can pretty much build our own: this front, that back, this leather (they bring various gorgeous samples from the backroom), that colour, this flower, that heel. And in the end that is exactly what we do: simple medium width toe bar, double wrap (very flattering and I insist) ankle strap with semi closed heel, black crocodile leather (I prefer the shiny patent but can’t persuade her), toning flower on front, 8cm heel of the thicker (I go for the thinner every time but my persuasive powers are not enough – and I understand, ‘It just feels so stable,’ she insists, and she is probably right) variety: $330pesos.

The upside is that G. gets exactly what she wants in her shoe (or hopes she does), the downside is that you don’t actually get to try the shoe you are buying so you could find out it looks like ‘La Viruta 6am when the lights come on’, when you finally see the finished article… We try to stop ourselves getting carried away with red flowers and black crocodile for example, or a bouquet of blossoms rather than one strategically placed. We attempt to minimise the risk by trying on as many shoes as possible with at least one of the characteristics we seek, and this is why you need a bit of time. The available choices are baffling and exciting. I decide I am definitely more of a ’see, try and buy the whole shoe on the spot’ type of girl, but G. seems delighted to create her own from scratch, and of course I can see the attraction. The shoes will be ready in around fifteen days by which time we think the shop will have moved to a more central Palermo location (when I get the new address, I will add an update to this post).

I don’t try on a single shoe! I end up buying two clip on leather flowers which I may use on one of my more ‘creative’ days to dress up some existing shoes in the style of  ‘Miss Primavera 2008′. Of course there is a strong possibility that I won’t be able to carry it off, and the exquisite little leather blooms will never see outside of my apartment. But hell, it makes me feel like I am joining in the spring shoe fest, and at $35pesos its a cheap way to do it. We find out that Greta Flora will soon be designing and selling a wider range of dance wear: the staff look closely at a skirt G. is wearing, and so I think you might be seeing something similar for sale soon. G. in her turn buys a simple flattering wrap dress with a beautiful fabric belt involving a flower (naturally) that they have already created. I approve.

All in all (assuming the shoes are as beautifully made as we expect them to be) this tango shoe buying experience is an excellent one: staff who want to help you get exactly what your heart desires, reasonable prices, and from what I saw/heard, fine craftsmanship and an understanding of the needs of the feet of dancers.

So here’s the bottom line. If you are in Buenos Aires and in a rush to have your Greta Flora shoes for dancing on the same day, then you will have to choose from the shoes in stock in your size. If you have a few weeks, then you will be able to pick up your ‘made just for you’ pair before you leave, or I guess get them sent on.

Alternatively you might not be planning a trip to Buenos Aires at all. In which case Greta Flora do have agents in other lands, one of whom introduced me to these shoes in the first place. Why not check her out, and support the enterprise of a fellow and much loved tanguera friend in the process?

TANGOSPEAK STORE: GRETAFLORA TANGO SHOES

And as promised today October 3rd, I received this flyer from Greta Flora with the new shop address and opening times.

gretaflora

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IMGP8192 G. wants to hit the Buenos Aires tango shoe shops. And I go with her.

Three pairs are the target: something black, something metallic possibly pewter, and something electric blue.  She wants me along because she knows I am ‘Little Miss Decisive’ and that with one glance I will say things like: ‘No, impossible to clean’ or ‘No, put them down you’ve already got orange and purple stripes’ or ‘No, completely ghastly… don’t do it’. I know it will be a quest of utter torture for me since I don’t have a budget that includes tango shoes, but it’s always good to know what the options are just in case I ever make any money… and so I can help other friends to find what they want faster, and because I know it will be fun.

My own tango shoe history is very brief. After buying one very plain pair of black ’shipped from Argentina and ridiculously expensive’ (at the equivalent of $600pesos) shoes in London in 2006, I bought six pairs here in Buenos Aires in 2007: each pair cost me $300pesos which seemed cheap at the time. I really only dance in three of them. The other three are of the ‘impossible to clean’ variety, or of the ‘pretty but back strap feels too unsupportive’ variety… these add a rather cool decorative touch to my apartment, but never touch the dance floor. I have learned from my mistakes, all $900pesos of them… and my last was a quite beautiful shocking pink and acid lemon/lime pair bought in November 2007 and so far worn once. Today I cannot afford to buy tango shoes, punto. Really, I have to wear all the shoes I have, including my mistakes, until they die… or at least that is what I tell myself as we plan our little mission.

We decide on three stores: Neotango, Comme il Faut and Greta Flora.

Neotango is our first stop. I’m personally not too keen on their shoes: they don’t seem to fit my feet, but G. has had great success with a black and white pair she bought last year. We enter and see the exact same black and white design and, to my eye, much of the exact same designs in general as they had over twelve months ago. But, we do find a decent pewter metallic pair and the available heels at either 7.5cm or 8 .5cm are both options for G. who prefers her shoes slightly lower than I do. The price is $380pesos. While G. pivots with poise in front of the mirror, the pal of a male customer strikes up a conversation with me: he likes my British accent. When I turn round his friend is dancing a tango with my friend right there on the carpet.  Then bugger me if the shop manager doesn’t dance with her too. Ah, some things never change… she always did get the dances. At least this year I can join in the castellano conversations… we all have a laugh together, but we leave without buying.

Next we head to Comme. We are the only punters and so to my delight I have the pick of the velvet sofas. The manager remembers us and is I think, impressed with my ability to ask questions in castellano about the state of tango tourism in the present world economic environment, and the currently falling number of tango tourists: which she confirms. She corrects my pronunciation repeatedly: she is not so keen on my British accent… but I am proud that I understand most of what she says. In fact I am so engrossed in the discussion of economics that I fail to give G. any attention at all. Out of the corner of my eye I notice that she is pivoting slightly frantically in front of the huge gilt-framed mirror in a pair of cool greens. ‘Nice,’ I encourage. They fit the original plan (well sort of close to electric blue…) and so go in the ‘possibles’ pile, along with a pair of black and gold. So far so good. But then, what always happens in Comme happens: they bring out the box, open the lid and although the shoes are not remotely what you were considering… your heart is lost. And this time I cannot believe my eyes, because the glittering prize lying nestled in the tissue is the exact same shocking pink and acid lemon/lime shoe that I bought almost a year ago. ‘It’s the last one we have,’ the assistant explains, and it’s in G.’s size, of course. I try to whisper, ‘impossible to clean,’ and ‘ankle strap too narrow,’ but I know it is too late: shoes have already fused with feet, are lost in pivots in front of that mirror, and are ‘SOLD to the girl from Los Angeles’ for $360pesos. Well it could have been worse, some of the shoes in there this week are rather OTT ‘bling’ and cost $450. And dear G. is ecstatic, which in the end is all that matters to me. ‘I’ve loved those shoes ever since I saw a photo of yours,’ she enthuses as we emerge into Arenales, ‘And they only had one pair left, and they were in my size… ‘

I smile at my darling friend. At this point, exactly where are we with the black, pewter and electric blue plan? Mmmmm, shocking pink and acid lemon, that’s precisely where.

Greta Flora is our final stop. Now I have seen these shoes on another friend’s feet and know that they are gorgeous and different so I am excited. It’s a bit of a trek to Villa Crespo and by the time we get there we are in a rush, so we have to make it quick: 20 minutes only. Not enough. Again we are the only customers, this time in a tiny space high up in an apartment building. There are some exquisitely made shoes, many with the beautiful signature flower, but it’s a bit complex: only these designs in your size, the heel size you want, in these three colourways etc. We need some time to take it in and we do not have it. The heels are thicker than the Comme stiletto style I normally like, but somehow the shoes manage to carry off elegance: I love them. In here we do encounter a black pair and a turquoise/green pair, both ‘possibles’ for G. at $330pesos each (other styles are I think more expensive). I actually try some on myself, because I adore that flower… very tempting, but fortunately I feel that my big toe is spilling out the front, which saves me. We learn that the shop is moving in a couple of weeks, to a more central location (good news) but we make a date to return to the current venue on Monday when we will have more time. Decisions like this cannot be rushed. We leave without buying, but I am pretty certain G. will when Monday comes. I am slightly nervous of going back in there: I suspect I will try on a few more pairs…

So, this little tango tour has taken us two days (with various other missions along the way), we have one pair of shoes that were not on the shopping list, but we have possibilities for the pewter (Neo), the black (Greta with flower), and the blue/green (Comme and Greta with flower). I have found out that spring 2008 prices are in the region of $330 to $450pesos, that even Comme who has a traditionally fast turn over are still selling some of last spring’s styles, and that Greta Flora will be moving location soon, so beware of trekking out to Abasto without phoning first.

The good news is that I kept my credit card in my pocket. Comme-wise (always my weakness) I still like a soft brushed gold pair with a double length wrap around ankle strap… these have been available on and off for a while, but they are luxury-gorgeous and of course probably of the ‘impossible to clean’ variety. But apart from these nothing came close to grabbing the ‘corazon’ of this little tango dancer. I decide firmly, on the bus home, that I would only buy the same patent leather style I have already, and then only if it came in black again: mine are horribly stretched across the toe bar after eighteen months of constant wear and yet I still love them.

I’m a bit shocked at how practical I have become: but I guess that is what happens when you turn from tango tourist into tango immigrant, and at the same time the world economy gets turned upside down: you learn fast that your tango shoes have to last.

Ah but then again, if I’m honest, I do find myself secretly hoping that G. might drag me back to Comme for the green shoes, because as I fall asleep with tango heels on my mind, I can’t quite forget the lustre of soft ‘oro’. And let’s face it, they do say when world financial markets are in chaos there ain’t no safer place to put your cash than into gold…

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Yesterday I forced myself from the sofa for the first time this week and Gabriella and I grabbed a cab for 1239 Arenales, Comme il Faut. It must be a month since I bought tango shoes for myself and what better way to kickstart recovery from illness than with new zapatos!

I wanted pink with leopard skin – crazy I know. My oldest pair (2 months) are patent black. I dance in these most of the time. My other pair (1 month) are striped ruched fabric in subtle shades of pinks and greens, trimmed with black and are great with jeans. This time I wanted something mad and flashy. The woman in charge at Comme said to me, ‘You shop like an Argentine.’ The reason being that given 10 pairs to choose from, I see the pair I will buy immediately. I don’t even bother to try the others on. I know what I want and I snap it up fast! In this case it was gold and leopard skin – love at first sight. Gabriella, on the other hand… well at least shopping there with her means I get to lie back on the velvet chaise longues for a while!

On the subject of shoes, I have further news of the latest shoe company to hit the Buenos Aires dance floors. It is owned by my friend Chacho from Club Gricel and is called 2×4 al pie.

2×4 al pie shoes have the unique sole system which can be switched between leather, suede and rubber according to the dance surface or whether the shoes are to be worn in the street. The men’s dance shoes are on sale now. Ariel has a sexy black and white pair. The women’s practice shoes (pictured in silver and black above) will be available in six colour schemes and I am waiting to see them all.  They have the unique ‘foot cooling’ system of holes cut into the upper to allow the breeze to flow through the shoe. They are gorgeous. I have seen and danced in a pair of gold leather with leopardskin trim. I will be dancing in my own pair as soon as I have chosen my colours and the artesans have created them in my size. For now, enjoy the photos and I will post more information as I have it.

See more pictures of 2×4 al pie shoes

Of course, having bought a new pair of Commes yesterday I had to dance in them. Last night we reserved a table at La Ideal for a special fiesta with three live orchestras and perhaps a few too many show dances… I went just to see one of my favourite orchestras, ‘Los Reyes del Tango’. These boys really are the ‘Kings’. They had four bandoneon players last night. Dancing to them really is better than sex, especially if it is with Carlos, or Julio or another man whose tango heart connects with mine. It’s great to get a few people together, reserve a table, dance with each other, raise our eyebrows at the show tango that sometimes leaves us cold. Last night much of it left me distinctly chilly. Why? Two words. No connection.

Afterwards, we obsessive tango addicts jumped in a cab to make the last hour at La Viruta. Got home at 5, my little heart beating with joy. What a life!

See pictures of us at the La Ideal fiesta

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For this improving tango dancer, good shoes are a priority. Whether I am wearing a sexy dress or scruffy jeans, when the shoes go on I am transformed. And for me, it’s not only what the shoes look like that matters, it’s what they do to my body. Do they help me dance or not?

I remember the day in England when I travelled to London to find one pair of plain black suede shoes from Buenos Aires. They cost me £80. The train fare was £30. So a total of $660 pesos. Now I am living in tango shoe heaven. I have spent hours checking out options and so far I have bought two new pairs.  At first the choice seemed overwhelming but for me, choosing was easy. Why? There are three basic reasons:

  1. The fit. Some makes have gorgeous designs but when I put the shoes on they do not fit the shape of my feet. Of course the assistants say that they can be altered, or that they will stretch. Some shops specialise in making shoes exactly to your requirements and this is an option I have not yet investigated, but I am unsure. What if they are not quite perfect even then?
  2. The heel. I want the highest stiletto heel. They are the sexiest. I am short and they make my legs look longer. Sometimes you can select a heel to go with the shoe you want. But surely it is better if the shoe is designed with the heel in one. I want shoes that will give me the greatest stability and position my body in the correct axis for tango. 
  3. The aesthetics. I am a special dancer, and I want beautiful shoes… My tango shoes are my most loved possessions these days. They are an extension of my personality.

Several tango shoe and clothes stores are located in close proximity on Suipacha (home to Confiteria La Ideal)  including Darcos Tango. Suipacha is a narrow street with relatively little traffic and so you can quickly explore options in one trip. Neo Tango is on Sarmiento and seems very popular. I’ve been in there three times and it’s always been packed. Riobamba also has tango shoe shops. I stumbled upon a ‘Tango Market’ on Sarmiento, organised for La CITA 2007. This was great because many brands were displaying their shoes in one location, thus saving my feet! Comme il Faut, off Arenales, is hidden away from all the other stores. It has no window display, a locked door and photography is not allowed in the tiny showroom. The staff can seem slightly scary at first but they soften when they know that you are serious about buying. It is worth a special trip, or more than one special trip…

So to price. We are talking around $150 pesos up to $300 pesos (£25 to £50). Most of the interesting designs are from $240 pesos. Here, you often pay a little more when using a credit card so you can save a few pesos by carrying cash.

Both the pairs I bought are Comme il Faut. One patent black, the other delicately ruched, pink, green and white striped fabric with a black trim. The latter are for special evenings – yet to come! I have tried on perhaps 50 pairs in different stores but for my feet, for my height, for my comfort, for my sense of style these are the brand for me. They are of course $300 pesos a pair but they are exquisite in their design. When I put them on I feel like I am already the greatest English tango dancer.

It is important not to spend too long deliberating over a pair of shoes. Next time you visit the shop the design may be sold out in your size. On the other hand it is important to visit regularly as new designs come in all the time. Some places allow you to reserve a pair for a week with a deposit.

Many people have asked me to buy shoes for them while I am out here but I am realising that this is potentially problematic. In England I an a size 5/5.5/6 in normal shoes depending on the brand. I know my size now in Comme il Faut. It is a 7. But in other shops I can only get into a 7 in some designs – others won’t go onto my feet! As you have to pay up front and they won’t take the shoes back… well you see the problem. I guess for men it would be the same.

So guys and girls you only really have one safe option. Come out here. Find out for yourself the brand you love and your size in it. Then I can buy more designs for you after you go back home. Now surely that’s an offer you can’t refuse…

See pictures of the tango shopping experience in Buenos Aires

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